Wednesday 11 March 2015

Crit Group Feedback 10th March

Crit Group Feedback

  • Embroidery and fabric/ font is gentle and delicate which is good, it contrasts the subject.
  • Embroidery could be neater?
  • Fabric: Silk or satin maybe? Or would that give too many sexual connotations?
  • Try distressing the objects a bit to make them look more believable.
  • Could do a mini protest and film it, people leading someone blindfolded?
  • Situationism: 1960's 'Pussy Riot'.
  • Marina Abramovic
  • Real/not real: Shia Lebouf's work.

To Do

Experiment with fabrics and fonts (handwritten).
Question: Do I want it to be real?

Sketchbook page demonstrating the signs and my practice embroidery

Close up of embroidered 'G' black fabric white thread



Vikki Stevens is an emerging artist interested in many areas including body image, mental health and abstraction. Her latest series of work aims to show how images and perceptions of women are “put- together”/ manufactured, and how these images and perceptions affect how women feel about their own body image. Vikki’s ideas for her artwork are expressed in mediums such as paint, collage and sculptural objects, mostly incorporating repurposed images from magazines and found documents. Artists such as Tracey Emin and Hannah Hoch have a large influence on her work. Both the personal perspective and distorted images play a major part in creating pieces that discuss personal as well as cultural issues within mainly the western world/media sphere. Stevens is planning on developing her work into a more abstract sphere to investigate feelings that she has herself and how she can communicate them by using and developing abstract techniques, continuing with collage as a starting influence. Currently the materials and processes she has used in her past work and the work in development are having a large impact on how the work develops and the message behind the work is entirely open. Rather than having a stand out message Stevens is now moving towards a more indirect way of working, focusing more on feelings rather than statements. Current concerns within the work reflect how Stevens feels about herself in day-to-day life and how outside influences affect her and her work. More specifically Stevens is dealing with feelings of anxiety, panic attacks, depression and how she feels as an individual in the world. Artists such as Gerhard Richter, Barbara Kruger, Yago Hortal and Steve Salo are having a large impact on the current work in development.

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